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In none of Joplin's previous rags does the bass play such an independent role as it does in Elite Syncopations. For much of the A strain and almost all of the D strain, Joplin forgoes the standard oom-pah, oom-pah bass, which one often thinks of in connection with ragtime, for a more melodic one. Later rags with especially active bass lines are Pineapple Rag (1908), and Euphonic Sounds (1909). |
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